NUMERO CINCO — A Collection Shaped by Stillness, Discovery, and Rebirth
Born from a time of reflection and cultural immersion, NUMERO CINCO marks a new chapter for CAYET — one shaped by movement, memory, and the power of pause. Inspired by a year spent exploring the region — from the vibrant energy of Riyadh to the spiritual stillness of the AlUla desert — this collection embraces the quiet strength of the Middle East, the richness of its heritage, and the dialogue between tradition and modernity.
At its core lies a journey — personal and creative — that explores identity through craftsmanship. From jacquard bombers to sculptural dresses, airy silks to clean tailoring, every piece reflects a fusion of worlds: East and West, structure and softness, fluidity and intent.
A standout motif emerges in our exclusive Arabian leopard print, created in homage to the majestic landscape of AlUla. Symbolising wild beauty, resilience, and the rhythm of the desert, it serves as a tribute to the women who wear these pieces with grace and power.
NUMERO CINCO introduces new signatures — modular forms like the FARAH mini, fluid silhouettes like YARA and LAMA, and strong tailoring through RASHA. Pieces such as the YARA dress, NIA top, NOAF tunic, and RASHA set reflect a more oriental language, blending elegance with cultural depth.
At the heart of this evolution is a quiet homage to the women who have inspired it. FARAH, NOAF, YARA, RASHA, and LAMA are not just names — they are real women, entrepreneurs and creators, each with a unique story, voice, and presence. Their strength, elegance, and vision reflect the very essence of what NUMERO CINCO stands for: transformation, authenticity, and empowered femininity.
This is not just a collection — it is a celebration of transformation, rooted in gratitude and guided by vision. A tribute to women who honour their roots while boldly forging new paths, and who — through stillness or boldness — leave their mark. It reflects the journey we’ve taken, and the infinite paths that still lie ahead.
